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Here Come The Vikings

by Astrid Williamson

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1.
Storm 03:53
2.
3.
4.
5.
6.
Falling Down 03:04
7.
Pinned 03:32
8.
Slake 03:47
9.
Eve 05:00
10.

credits

released June 8, 2009

Credits:
All music and lyrics written by Astrid Williamson
Recorded and Engineered by David Pickering Pick At FFG Studios. WWW.FFG.ORG.UK
Mixed by David Pickering Pick and Astrid Williamson at FFG Studios
Produced by Astrid Williamson
Strings and Brass arrangements by Astrid Williamson except ' Sing the boy electric' by Astrid Williamson and Steven Parker

Additional Recording:
Pianos on 'The stars are beautiful', 'Pinned' and 'Crashing Minis', additional percussion on 'Shut Your Mouth' and 'The stars are beautiful'.
Recorded and engineered by Steven Parker at Parker Studios, www.sparkerstudios.com
Pianos on 'Eve' and 'Slake' recorded and engineered by Astrid Candy Stephens and Chris Banks House, Brighton Trumpets recorded and engineered by Astrid at the Bull's Head. Violins and violas recorded and engineered by Astrid at Astrid's house. Cellos recorded and engineered by Astrid at Sarah's house. Additional synths on 'Store' and 'Shut your mouth' recorded and engineered by Nick Powell. Wurlitzer, organ and dulcitone recorded and engineered by Mark Treffel at Mark's house.
Brass recorded and engineered by Astrid in Henfield.
All vocals recorded and engineered by Astrid at home except 'Eve' recorded at Candy's house. 'How you take my breath away'. Recorded at Kirsty and Steve's house. Additional production on 'Shut your mouth' by David Pickering Pick.
Photographs by Nicole Gallard.
Artwork by absolutecreate.com


(p) 2009 Incarnation Records
© 2009 One Little Indian Records Ltd
The copyright in this sound recording is owned by
One Little Indian Records.
All Rights reserved. Reproduction, copying, hiring lending, public performance and broadcasting prohibited.
www.indian.co.uk
www.myspace.com/astridwilliamson
www.incarnationrecords.co.uk
www.astridwilliamson.net

Made in the E.U.

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tags

about

Astrid Williamson Shetland, UK

Previously on Astrid:

· “Oozes songwriting class” The Guardian

· “Abrasive pop with a strong female slant” The Observer

· “A refreshing revelation” Music Week

· “Finely-honed songs.” The Times

· “A deep, bewitching brew” Maxim
... more

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